{"id":315,"date":"2015-03-15T12:02:27","date_gmt":"2015-03-15T12:02:27","guid":{"rendered":"https:\/\/eladd.org\/en\/?page_id=315"},"modified":"2025-11-12T03:23:01","modified_gmt":"2025-11-12T03:23:01","slug":"maria-benedita-bormann","status":"publish","type":"page","link":"https:\/\/eladd.org\/en\/other-authors\/maria-benedita-bormann\/","title":{"rendered":"Mar\u00eda Benedita Bormann"},"content":{"rendered":"
[vc_row full_width=”stretch_row” tablet_fullwidth_cols=”” bg_style=”repeat” css=”.vc_custom_1762917771051{background-position: 0 0 !important;background-repeat: repeat !important;}”][vc_column][vc_column_text el_class=”autoras__titulo”]\n

Mar\u00eda Benedita Bormann<\/h2>\n

(1853-1895)
\n\"icon-space\"[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_id=”cuerpo” css=”.vc_custom_1762917776745{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_column_text el_class=”autoras__texto”]Also known as: Mar\u00eda Benedita C\u00e1mara de Bormann, Mar\u00eda Benedita Borman da Camara Lima
\nPseudonym: D\u00e9lia<\/strong><\/p>\n

 <\/p>\n

\"maria\"<\/a><\/p>\n

Author\u2019s Works: Original and Edited (Works are listed in chronological order)<\/strong><\/p>\n

(1880). O sorriso<\/em>. Rio de Janeiro: n.p.<\/p>\n

(1881). \u201cMagdalena\u201d. Rio de Janeiro: O Sorriso<\/em>.<\/p>\n

(1883). \u201cAur\u00e9lia\u201d. Gazeta da Tarde<\/em> 5 nov. e 7 dez.
\n—, pr\u00f3l. Norma Telles. Aur\u00e9lia<\/em>. Rio de Janeiro: Palatino Linotype.<\/p>\n

(1883). \u201cUma V\u00edtima\u201d. Rio de Janeiro: Gazeta da Tarde<\/em>.<\/p>\n

(1884). Duas Irm\u00e3s<\/em>. Rio de Janeiro: Tipografia Central.<\/p>\n

(1884). Uma V\u00edtima, Duas Irm\u00e3s, Madalena<\/em>. Rio de Janeiro: Typografia Central de Evaristo Costa.<\/p>\n

(1888). Celeste<\/em>. Rio de Janeiro: Prea.
\n—. Celeste<\/em>. Rio de Janeiro: Presen\u00e7a, 1988.<\/p>\n

(1890). \u201cA est\u00e1tua de neve\u201d. O Pa\u00eds<\/em> 15 novembro.<\/p>\n

(1890). L\u00e9sbia<\/em>. O Pa\u00eds<\/em>.
\n—, pr\u00f3l. Norma Telles. L\u00e9sbia: romance<\/em>. Florian\u00f3polis, SC: Editora Mulheres, 1998.<\/p>\n

(1894). Angelina<\/em>. Rio de Janeiro: n.p.<\/p>\n

Critical Works (Reference Materials, Books, Book Chapters, Journal Articles, Encyclopedias, Theses\/Dissertations, Media and Internet Sources)<\/strong><\/p>\n

Andr\u00e9, Mar\u00eda. Claudia and Eva P. Bueno. Latin American Women Writers: An Encyclopedia<\/em>. New York: Routledge, 2008. 68-70.<\/p>\n

Araripe, J\u00fanior. Obra Cr\u00edtica<\/em>. Vol. II. Rio de Janeiro: Casa de Rui Barbosa, 1888-1894. 257-64.<\/p>\n

Ara\u00fajo, Maria da Concei\u00e7\u00e3o Pinheiro. Tramas femininas na imprensa do s\u00e9culo XIX<\/em>. Tessituras de Ignez Sabino e D\u00e9lia. Diss. PUCRS, Brasil, 2008.<\/p>\n

Coutinho, Afr\u00e2nio, J. Galante de Sousa, eds. Enciclop\u00e9dia de Literatura Brasileira<\/em>. Vol. 1. Rio de Janeiro: Minist\u00e9rio da Educa\u00e7ao, 1990. 336.<\/p>\n

Cunha, Paula Cristina. \u201cO desafio ao c\u00e2none liter\u00e1rio: L\u00e9sbia e o romance oitocentista de autoria femenina\u201d. Revista Graphos<\/em> 14.2 (2012): 153-63.<\/p>\n

Felix, Regina R. A modernidade na literatura brasileira escrita por mulheres: Mar\u00eda Benedita Bormann e Em\u00edlla Bandeira De Melo (1884-1911). Diss. U Illinois, 2003. Ann Arbor: ProQuest\/UMI, 2003.<\/p>\n

Martins, Ari. Escritores do Rio Grande do Sul<\/em>. Porto Alegre: Universidade Federal do Rio Grande do Sul, 1978. 99.<\/p>\n

Muzart, Zahid\u00e9 Lupinacci. “Uma espiada na imprensa das mulheres no s\u00e9culo XIX.” Revista Estudos Feministas<\/em> nov 2003: 225-33.<\/p>\n

Rem\u00e9dios, Maria Luiza Ritzel e Maria Aparecida Ribeiro. “Tramas femininas na imprensa do s\u00e9culo XIX: tessituras de Ignez Sabino e D\u00e9lia”. Diss. PUCRS, Brasil, 2008.<\/p>\n

Sabino, D. Ignez. Mulheres illustres do Brazil<\/em>. Rio de Janeiro: Editora das Mulheres, 1996. 191-98.<\/p>\n

Santos, Salete Rosa Pezzi dos. “Representa\u00e7\u00e3o do feminino em uma escritura desautorizada: Celeste, de Maria Benedita C\u00e2mara Bormann e O perd\u00e3o, de
\nAndradina Andrade de Oliveira”. Diss. Universidade Federal do Rio Grande do Sol, Brasil, 2007.<\/p>\n

Schmidt, Rita Terezinha. \u201cDa exclus\u00e3o, da imita\u00e7\u00e3o e da transgress\u00e3o: o caso do romance Celeste, de Maria Benedita Bormann\u201d. As armas do texto: literatura e a resist\u00eancia da literatura<\/em>. Ed. Michael Peterson. Porto Alegre: Editora Sagra, 1998.<\/p>\n

Telles, Norma. \u201cMaria Benedita C\u00e2mara Bormann\u201d. Escritoras Brasileiras do S\u00e9culo XIX<\/em>. Ed. Zahid\u00e9 Lupinacci Muzart. Florian\u00f3polis: Editora Mulheres, 1991.<\/p>\n

 <\/p>\n

\"logo-footer-2\"<\/a>[\/vc_column_text][vc_single_image image=”660″ alignment=”center” css=”.vc_custom_1446670823436{margin-top: 35px !important;}”][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"

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