{"id":71,"date":"2014-07-02T19:30:10","date_gmt":"2014-07-02T19:30:10","guid":{"rendered":"https:\/\/eladd.org\/en\/?page_id=71"},"modified":"2025-11-12T03:09:24","modified_gmt":"2025-11-12T03:09:24","slug":"rosa-guerra","status":"publish","type":"page","link":"https:\/\/eladd.org\/en\/popular-authors\/rosa-guerra\/","title":{"rendered":"Rosa Guerra"},"content":{"rendered":"
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Rosa Guerra<\/h2>\n

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\"rosa-guerra\"<\/div>\n
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* A full biographical essay is available in Spanish in ELADD ESPA\u00d1OL under this author\u2019s name.<\/p>\n

Pseudonym:<\/strong>\u00a0Cecilia<\/p>\n

Author\u2019s Works: Original and Edited (Works are listed in chronological order)<\/strong><\/p>\n

Note – During the nineteenth century most newspapers and magazines for women were written by men for the female elites. The titles with (*) represent the author\u2019s contributions in the advancement and participation of women in literature.<\/p>\n

(11 abril 1852 \u2013 20 junio 1852*).\u00a0La Camelia. Buenos Aires.<\/em><\/p>\n

—, comp. Francine Masiello.\u00a0La Camelia (1852).\u201d La mujer y el espacio p\u00fablico. El periodismo femenino en la Argentina del siglo XIX.<\/em>Buenos Aires: Feminaria Editora, 1994. 30-52.<\/p>\n

(24 julio 1852 \u2013 11 sept. 1852*).\u00a0La Educaci\u00f3n, Peri\u00f3dico Religioso, Po\u00e9tico y Literario.<\/em>\u00a0Buenos Aires.<\/p>\n

(1860).\u00a0Luc\u00eda Miranda.<\/em>\u00a0Buenos Aires: Imprenta Nacional.<\/p>\n

—, pr\u00f3l. Jos\u00e9 Mar\u00eda Monner. Buenos Aires: Editorial de la U. de Buenos Aires, 1956.<\/p>\n

—, Biblioteca Virtual Miguel de Cervantes, 2000. Web. 5 Jun 2013.<\/p>\n

—, pr\u00f3l. Paula Jim\u00e9nez. C\u00f3rdoba: Editorial Buena Vista, 2011.<\/p>\n

(1862).\u00a0Clemencia: drama original en verso y en tres actos.<\/em>\u00a0Buenos Aires: Imprenta y Litograf\u00eda de Bernheim y Boneo.<\/p>\n

(1863).Julia \u00f3 la educaci\u00f3n.<\/em>\u00a0Buenos Aires: El Mercado.<\/p>\n

(1864).\u00a0Desahogos del coraz\u00f3n.<\/em>\u00a0Buenos Aires: Imprenta de la Sociedad Tipogr\u00e1fica Bonaerense.<\/p>\n

Critical Works (Reference Materials, Books, Book Chapters, Journal Articles, Encyclopedias, Theses\/Dissertations, Media and Internet Sources)<\/strong><\/p>\n

Arambel- Gui\u00f1az\u00fa, Mar\u00eda Cristina y Claire Emilie Martin. “Rosa Guerra y Eduarda Mansilla.”\u00a0Las mujeres toman la palabra. Escritura femenina del siglo XIX.<\/em>Tomo 1. Madrid: Iberoamericana, 2001. 165-70.<\/p>\n

Auza, N\u00e9stor Tom\u00e1s.\u00a0“La Camelia<\/em>. La resurrecci\u00f3n del periodismo femenino.”\u00a0Periodismo y feminismo en la Argentina, 1830-1930.<\/em>\u00a0Buenos Aires: Emec\u00e9 Editores, 1988. 162-79.<\/p>\n

—,\u00a0“La Educaci\u00f3n<\/em>\u00a0. Un programa para educar a la mujer argentina.”\u00a0Periodismo y feminismo en la Argentina,<\/em>\u00a01830-1930. Buenos Aires: Emec\u00e9 Editores, 1988. 180-93.<\/p>\n

Bajini, Irina Matilde. “El rescate femenino en el teatro hispanoamericano del siglo 19: el caso de la Perricholi en El Per\u00fa y de Trinidad Barrera y Rosa Guerra en La Argentina.\u201d\u00a0Presentaci\u00f3n en el congreso de Mujeres y emancipaci\u00f3n de la Am\u00e9rica Latina y el Caribe en los siglos 19 y 20. Febrero 2011.<\/em><\/p>\n

Barrales, Mat\u00edas. \u201cLuc\u00eda Miranda y los modos de representaci\u00f3n de la mujer blanca, en la Argentina Historial (1612), de Ruy D\u00edaz de Guzm\u00e1n y la novela hom\u00f3nima de Rosa Guerra.\u201dLa distorsi\u00f3n del espejo: estrategias de la representaci\u00f3n en textos de literatura argentina y comparadas.<\/em>\u00a0Comp. Mar\u00eda Minellono. Buenos Aires: Ediciones al Margen, 2008. 129-50.<\/p>\n

Barrancos, Dora. \u201cSociedad, mujeres y feministas desde fines del XIX y primeras d\u00e9cadas del XX.\u201d\u00a0Mujeres, entre la casa y la plaza.<\/em>\u00a0Buenos Aires: Editorial Sudamericana, 2008. 29-47.<\/p>\n

Barroso, Silvina. “La novela hist\u00f3rico-sentimental argentina (en su emergente) del siglo XIX como dispositivo de lectura de representaciones de g\u00e9nero.”Mujeres en cuesti\u00f3n. Escrituras ideolog\u00edas y cuerpos.<\/em>\u00a0Comp. Biblioteca Nacional. Buenos Aires: Editorial Teseo, 2012. 13-96.<\/p>\n

C\u00e1rcamo, Luis Ernesto. \u201cCuerpos que (se) queman: mujer, indio y propiedad sexo-cultural en Rosa Guerra.\u201d\u00a0Sexualidad y naci\u00f3n.<\/em>\u00a0Ed. Daniel Balderston. Pittsburgh: Instituto Internacional de Literatura Iberoamericana, U. de Pittsburgh, 2000. 27-42.<\/p>\n

C\u00f3freces, Javier, Gabriela Franco, y Eduardo Mileo, comp.\u00a0Primeras poetas argentinas.<\/em>\u00a0Buenos Aires: Ediciones en Danza, 2009. 101-03.<\/p>\n

Culver, Melissa Mar\u00eda.\u00a0Problemas de la novela escrita por mujer en Espa\u00f1a e Hispanoam\u00e9rica (1833-1918): estudios de caso. Diss.<\/em>\u00a0State U of NY at Stony Brook, 2010. Ann Arbor: UMI, 2010.<\/p>\n

Fletcher, Lea. “Hitos en el periodismo de mujeres argentinas: 1830- 2007.”\u00a0Las palabras tienen sexo. Introducci\u00f3n a un periodismo con perspectiva de g\u00e9nero.<\/em>\u00a0Comps. Sandra Chaher y Sonia Santoro. Buenos Aires: Artemisa Comunicaciones Ediciones, 2007. 78-94.<\/p>\n

Forcinito, Ana. \u201cCautiverios sospechosos en las puertas de la conquista del desierto: Luc\u00eda Miranda, de Rosa Guerra.\u201d Cr\u00edtica Hisp\u00e1nica 33.1 (2011): 37-63. Web. 30 Apr. 2013.<\/p>\n

Forcinito, Ana. \u201cCautiverios sospechosos en las puertas de la conquista del desierto:\u00a0Luc\u00eda Miranda, de Rosa Guerra.\u201d Cr\u00edtica Hisp\u00e1nica<\/em>\u00a033.1 (2011): 37-63. Web. 30 Apr. 2013.<\/p>\n

Fredrick, Bonnie.\u00a0“La Camelia<\/em>\u00a0and Patriotic Self-Sacrifice.”\u00a0Wily Modesty: Argentine Women Writers, 1860-1910.<\/em>\u00a0Tempe: ASU Center for Latin American Studies Press, 1998. 18- 20.<\/p>\n

—, “A Foremother of Destiny: Luc\u00eda Miranda.”\u00a0Wily Modesty: Argentine Women Writers, 1860-1910.<\/em>\u00a0Tempe: ASU Center for Latin American Studies Press, 1998. 86-88.<\/p>\n

Grau-Llevar\u00eda, Elena. \u201cNovelando mujeres sujeto: el idealismo rom\u00e1ntico en\u00a0Luc\u00eda Miranda\u00a0<\/em>de Rosa Guerra.\u201d\u00a0Hispan\u00f3fila<\/em>\u00a0165 (2012): 87-100.<\/p>\n

Grillo, Rosa Mar\u00eda. \u201cLuc\u00eda Miranda.\u201d\u00a0Escribir la historia: descubrimiento y conquista en la novela hist\u00f3rica de los siglos XIX y XX.<\/em>\u00a0Colecci\u00f3n Cuadernos de Am\u00e9rica sin nombre. Alicante: U de Alicante, 2010. 203-24.<\/p>\n

Hallstead, Susan. Fashion Nation:\u00a0The politics of dress and gender in 19th century Argentine journalism (1829- 1880).<\/em>\u00a0Diss. U of Pittsburgh, 2005. Ann Arbor: UMI, 2005.<\/p>\n

Hanway, Nancy. “Valuable White Property:\u00a0Luc\u00eda Miranda<\/em>\u00a0and National Space.”\u00a0Chasqu\u00ed<\/em>\u00a030.1 (2001): 115-30.<\/p>\n

—, “Valuable White Property: Two Versions of the Myth\u00a0Luc\u00eda Miranda.” Embodying Argentina: body, space, and nation in 19th century narrative.\u00a0<\/em>NC: McFarland & Company Incorporated Pub, 2003. 85-121.<\/p>\n

Ini, C. Mar\u00eda Gabriela. \u201cRosa Guerra y Luc\u00eda Miranda: las mujeres cautivas.\u201d\u00a0Mujeres y cultura en la Argentina del siglo XIX.<\/em>\u00a0Comp. Lea Fletcher. Buenos Aires: Feminaria Editora, 1994. 127-33.<\/p>\n

Keizman, Betina. “Le Mythe de la Captive dans La Litt\u00e9rature Argentine.”\u00a0Pandora: Revue d\u2019Etudes Hispaniques 5<\/em>\u00a0(2005): 243-50. Web. 29 Apr. 2013.<\/p>\n

Landrus, Vanesa Mar\u00eda. \u201cAlteridad, ciudadan\u00eda y pol\u00edtica nacional en el periodismo femenino argentino.\u201d\u00a0Retomando la palabra. Las pioneras del XIX en di\u00e1logo con la cr\u00edtica contempor\u00e1nea.<\/em>\u00a0Eds. Claire Emilie Martin y Mar\u00eda Nelly Goswitz. Madrid: Iberoamericana, 2012. 129-45.<\/p>\n

—.\u00a0La prensa femenina Argentina del siglo XIX y la construcci\u00f3n de un imaginario nacional.<\/em>\u00a0Diss. U of Illinois at Urbana-Champaign, 2007. Ann Arbor: UMI, 2007.<\/p>\n

Langa Pizarro, Mar. “La gran figura silenciada: la mujer en el primer siglo de la conquista Rioplatense.”\u00a0Am\u00e9rica sin nombre<\/em>\u00a09-10 (2007):109-22. Web. 30 Apr. 2013.<\/p>\n

Lehman, Kathryn. \u201cNaturaleza y cuerpo femenino en dos narrativas argentinas de origen nacional.\u201dRevista Iberoamericana<\/em>\u00a070.206 (2004): 117-24.<\/p>\n

Lojo, Mar\u00eda Rosa. \u201cEscritoras argentinas (siglo XIX) y etnias abor\u00edgenes del Cono Sur.\u201d\u00a0La mujer en la literatura del mundo hisp\u00e1nico.<\/em>\u00a0Tomo VI. Ed. Juana Alcira Arancibia. Buenos Aires: Instituto Literario y Cultural Hisp\u00e1nico, 2005. 43-63.<\/p>\n

—,\u00a0ed. \u201cIntroducci\u00f3n\u201d a Eduarda Mansilla,\u00a0Luc\u00eda Miranda.<\/em>\u00a0Madrid: Iberoamericana, 2007. 11-87.<\/p>\n

—, —. \u201cLuc\u00eda Miranda: un mito de origen protonacional en varias lenguas, castellano, lat\u00edn, franc\u00e9s, e ingl\u00e9s.\u201d\u00a0Letras (Universidad Cat\u00f3lica Argentina)<\/em>\u00a055-56 (2007): 109-32. Web. 27 Apr. 2013.<\/p>\n

Lichtblau, Myron. \u201cEl tema de Luc\u00eda Miranda en la novela Argentina.\u201d\u00a0.\u201d Armas y Letras\u00a0<\/em>2 (1959): 23-31. Web. 20 May. 2013.<\/p>\n

Loureira, Isabela Roque. \u201cA figura feminina em Lucia Miranda, de Rosa Guerra.\u201dActas de: Congresso Brasileiro de Hispanistas e I Congresso Internacional da Associa\u00e7\u00e3o Brasileira de Hispanistas, Belo Horizonte, Faculdade de Letras da Universidade Federal de Minas Gerais.\u00a0<\/em>Vol. 1. 2009. 1076-84.<\/p>\n

Masiello, Francine. Entre civilizaci\u00f3n y barbarie. Mujeres, naci\u00f3n, y cultura literaria en la Argentina moderna. Rosario: Beatriz Viterbo Editora, 1997.<\/p>\n

—.—. Between Civilization and Barbarism. Women, Nation, and Literary Culture in Modern Argentina.\u00a0<\/em>Lincoln: U of Nebraska Press, 1992<\/p>\n

Mataix, Remedios. “Romanticismo, feminidad e imaginarios nacionales. Las \u2018Luc\u00eda Miranda\u2019 de Rosa Guerra y Eduarda Mansilla.”\u00a0R\u00edo de la Plata<\/em>\u00a029-30 (2006): 209-29. Web. 16 Apr. 2013.<\/p>\n

Molina, Hebe Beatriz. “Los espa\u00f1oles en Las ‘Luc\u00eda Miranda’ (1860).”Actas del III Congreso Argentino de Hispanistas ‘Espa\u00f1a en Am\u00e9rica y Am\u00e9rica en Espa\u00f1a’, 19-23 de Mayo del 1992.\u00a0<\/em>Comps. Luis Mart\u00ednez Cuitino, Elida Lois y Instituto de Filolog\u00eda y Literaturas Hisp\u00e1nicas \u2018Dr. Amado Alonso.\u2019 Buenos Aires: Inst. de Filolog\u00eda y Literaturas Hisp\u00e1nicas, Fac. de Filosof\u00eda y Letras, U de Buenos Aires, 1993. 694-701.<\/p>\n

Rojas, Ricardo. \u201cCap\u00edtulo XVIII. Las mujeres escritoras.\u201d\u00a0Historia de la literatura argentina; ensayo filos\u00f3fico sobre la evoluci\u00f3n de la cultura en El Plata. 2, Los Modernos.\u00a0<\/em>Buenos Aires: Editorial Guillermo Kraft Limitada, 1960. 474-93.<\/p>\n

Rotker, Susana. \u201cLuc\u00eda Miranda: negaci\u00f3n y violencia del origen.\u201d\u00a0Revista Iberoamericana\u00a0<\/em>63.178-179 (1997): 115-28.<\/p>\n

—. \u201cThe Return of the Forbidden: The Women Writers.\u201d\u00a0Captive Women: Oblivion and Memory in Argentina.<\/em>\u00a0Vol. 10. Cultural Studies of the Americas. Minneapolis: U of Minnesota Press, 2002. 98-117.<\/p>\n

Saporta Sternbach, Nancy. \u201c\u2018Mejorar la condici\u00f3n de mi secso\u2019: The Essays of Rosa Guerra.\u201d\u00a0Reinterpreting the Spanish American Essay: Women Writers of the Nineteenth and Twentieth Centuries.\u00a0<\/em>Ed. Doris Meyer. Austin: U of Texas Press, 1995. 46-56.<\/p>\n

Seibel, Beatriz. \u201c1862: La primera dramaturga: Rosa Guerra.\u201d\u00a0Historia del teatro argentino: desde los rituales hasta 1930.\u00a0<\/em>Buenos Aires: Corregidor, 2002. 151.<\/p>\n

—. \u201cRosa Guerra, una maestra.\u201d\u00a0Todo es Historia\u00a0<\/em>31.358 (1997): 64-65. Web. 15 Apr. 2013.<\/p>\n

Sosa, Carlos Hern\u00e1n. \u201cEn los umbrales del texto: pr\u00f3logos y legitimaciones, dedicatorias y complicidades (notas sobre el uso del paratexto en algunas escritoras argentinas del siglo XIX.)\u201d Verba Hisp\u00e1nica 13 (2005): 59-68.<\/p>\n

Sosa de Newton, Lily, comp.\u00a0Narradoras argentinas<\/em>\u00a0(1852-1932). Buenos Aires: Editorial Plus Ultra, 1995. 31-38.<\/p>\n

—. \u201cLas periodistas.\u201d\u00a0Cuadernos Hispanoamericanos\u00a0<\/em>639 (2003): 13-21. Web. 27 Apr. 2013.<\/p>\n

Sylvester, Hugo L.\u00a0\u201cLuc\u00eda Miranda,\u00a0<\/em>leyenda y literatura.\u201d\u00a0Todo es Historia<\/em>\u00a012.155 (1980): 28-39. Web. 20 May. 2013.<\/p>\n

 <\/p><\/div>\n

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Pseudonym: Cecilia…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":38,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-71","page","type-page","status-publish","hentry","entry","no-media"],"yoast_head":"\nRosa Guerra - Eladd En<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/eladd.org\/en\/popular-authors\/rosa-guerra\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Rosa Guerra - Eladd En\" \/>\n<meta property=\"og:description\" content=\"[vc_row full_width=”stretch_row” css=”.vc_custom_1762916951698{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_column_text el_class=”autoras__titulo”] Rosa Guerra [\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_id=”cuerpo” css=”.vc_custom_1762916958547{background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_column_text el_class=”autoras__texto”] * A full biographical essay is available in Spanish in ELADD ESPAÑOL under this author’s name. 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