{"id":2264,"date":"2019-01-29T18:01:59","date_gmt":"2019-01-29T18:01:59","guid":{"rendered":"https:\/\/eladd.org\/en\/?p=2264"},"modified":"2019-02-05T22:44:50","modified_gmt":"2019-02-05T22:44:50","slug":"las-modas-y-el-bon-marche","status":"publish","type":"post","link":"https:\/\/eladd.org\/en\/2019\/01\/29\/las-modas-y-el-bon-marche\/","title":{"rendered":"Las modas y el Bon March\u00e9"},"content":{"rendered":"<p>El mundo de la moda femenina pose\u00eda en Lima durante el siglo XIX, <em>Le Grand Bon March\u00e9<\/em>, un notable establecimiento unido a los nombres de los socios que decoraban la fachada del edificio, Sivori y Panizzoni.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-2858\" src=\"https:\/\/eladd.org\/wp-content\/uploads\/2016\/10\/las_modas_y_el_bon.jpg\" alt=\"\" width=\"2500\" height=\"1867\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Este tipo de empresas fueron posibles gracias a la emergente econom\u00eda en Per\u00fa cuyas riquezas proced\u00edan de las exportaciones primarias: oro, plata y guano. El pa\u00eds despu\u00e9s de casi dos decenios de bonanza econ\u00f3mica, se vio inmerso en una depresi\u00f3n econ\u00f3mica las \u00faltimas d\u00e9cadas del siglo XIX.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-2857\" src=\"https:\/\/eladd.org\/wp-content\/uploads\/2016\/10\/edificio-las_modas-e1542057864378.jpg\" alt=\"\" width=\"650\" height=\"442\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>Estos grandes almacenes fueron creados a imagen y semejanza de su hom\u00f3nimo franc\u00e9s -construido en Par\u00eds en el siglo XIX- por el emprendedor Aristide Boucicaut que revolucion\u00f3 la manera de comprar y vender ropa y accesorios. La filosof\u00eda de esta empresa era adquirir nuevos tejidos (el art\u00edculo menciona tejidos como el raso de seda, etelvina, encaje, blonda) y patrones venidos de Europa que hac\u00edan las delicias de las elegantes mujeres lime\u00f1as que quer\u00edan ser las primeras en lucir estas prendas refinadas y costosas.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-2859\" src=\"https:\/\/eladd.org\/wp-content\/uploads\/2016\/10\/ropa_verano.jpg\" alt=\"\" width=\"449\" height=\"543\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>En sus vitrinas se vend\u00edan diferentes tipos de vestidos como, por ejemplo, los de verano \u201cpara paseo, tertulias y fiestas de Pascua\u201d. Es destacable se\u00f1alar que en la moda que se muestra en los afiches parisinos de la \u00e9poca no se observan grandes diferencias con los figurines que aparecen en las revistas femeninas peruanas. Es decir, las graciosas lime\u00f1as emulaban a las elegantes parisinas en su vestimenta y accesorios.<\/p>\n<p>&nbsp;<\/p>\n<div style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2860 alignnone\" src=\"https:\/\/eladd.org\/wp-content\/uploads\/2016\/10\/ilustraciones_corstartire.jpg\" alt=\"\" width=\"236\" height=\"344\" \/><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2861 alignnone\" src=\"https:\/\/eladd.org\/wp-content\/uploads\/2016\/10\/ilustraciones_vestimenta-e1542058595860.jpg\" alt=\"\" width=\"236\" height=\"236\" \/><\/div>\n<p>En ambas orillas del Atl\u00e1ntico se puede advertir la boga del uso del polis\u00f3n presente en las ilustraciones. El polis\u00f3n constaba de un peque\u00f1o coj\u00edn en la parte trasera del cuerpo de la mujer debajo de la espalda. \u00c9ste se un\u00eda a una enagua y gracias a esto las faldas pose\u00edan m\u00e1s vuelo. A \u00e9sta se denomin\u00f3 \u201cmoda tapicera\u201d porque los pliegues que se formaban en las faldas parec\u00edan las cortinas que adornaban las casas. Las faldas ca\u00edan en cascadas debido a este accesorio, mientras que la parte trasera aumentaba de volumen y la parte delantera se simplificaba perdiendo amplitud. Asimismo se puede apreciar el uso del corpi\u00f1o que entallaba y daba forma al cuerpo femenino.<\/p>\n<p>El art\u00edculo tambi\u00e9n comenta la importancia de los accesorios a la hora de completar un atuendo. En esa \u00e9poca los accesorios que se utilizaban para embellecer el cuerpo femenino eran el cors\u00e9 necesario para esculpir el cuerpo de la mujer y marcar su cintura. Dependiendo de la temporada eran m\u00e1s largos y cubr\u00edan parte del abdomen estilizando la figura.<\/p>\n<div style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2862 alignnone\" src=\"https:\/\/eladd.org\/wp-content\/uploads\/2016\/10\/sombrilla_tela.jpg\" alt=\"\" width=\"236\" height=\"219\" \/><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2863 alignnone\" src=\"https:\/\/eladd.org\/wp-content\/uploads\/2016\/10\/vetimenta_y_accesorios.jpg\" alt=\"\" width=\"236\" height=\"298\" \/><\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<div>\n<p>Las telas utilizadas para los trajes de d\u00eda inclu\u00edan: linos, terciopelos, algod\u00f3n y lana. Los sombreros cobraban relevancia puesto que eran una parte esencial en el atuendo femenino. La boneta o los sombreros se usaban para actividades fuera de la casa mientras que los gorros de lino se llevaban en el interior.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2864 alignleft\" src=\"https:\/\/eladd.org\/wp-content\/uploads\/2016\/10\/retratos_accesorios.jpg\" alt=\"\" width=\"574\" height=\"440\" \/><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Con el paso del tiempo, el tama\u00f1o de los sombreros empez\u00f3 a disminuir ya que el estilo de peinado tambi\u00e9n cambi\u00f3 a fines del siglo XIX. En esta \u00e9poca, los sombreros sol\u00edan ser peque\u00f1os y elegantes, adornados con plumas, p\u00e1jaros y flores sint\u00e9ticas. Esto se puede observar en el figur\u00edn 17 y en los modelos parisinos mientras que el elegante figur\u00edn 18 no lleva ning\u00fan tipo de adorno en la cabeza. Los zapatos eran de diferente estilos: bota o bot\u00edn; la sombrilla era ligera y se acostumbraba que los zapatos y la sombrilla hicieran juego.<\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2865 aligncenter\" src=\"https:\/\/eladd.org\/wp-content\/uploads\/2016\/10\/botas_modelos.jpg\" alt=\"\" width=\"500\" height=\"438\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>El chal se usaba para fuera o dentro del hogar y su uso era preferible al del abrigo. Adem\u00e1s, en los figurines, tambi\u00e9n encontramos accesorios tales como el abanico, el manguito y los guantes que completan los elegantes conjuntos que aparecen tanto en Am\u00e9rica como en Europa.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-2866\" src=\"https:\/\/eladd.org\/wp-content\/uploads\/2016\/10\/moda_america_europa-e1542059245147.jpg\" alt=\"\" width=\"550\" height=\"931\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Bibliograf\u00eda:<\/strong><\/p>\n<p>Bonilla,\u00a0Heraclio. &#8220;La coyuntura comercial del siglo XIX en el Per\u00fa.&#8221;\u00a0<em>Desarrollo Econ\u00f3mico<\/em>, 12.46 (1972): 305-331. Impreso.<\/p>\n<p>De Mello e Souza, Gilda. &#8220;Moda y cultura femenina en el siglo XIX.&#8221; <em>Cuadernos De Literatura <\/em>18.36 (2014): 352-366. Academic Search Complete. Web. 18 abril. 2016.<\/p>\n<p><a href=\"http:\/\/revistadehistoria.es\/historia-del-vestido-el-siglo-xix\">http:\/\/revistadehistoria.es\/historia-del-vestido-el-siglo-xix<\/a><\/p>\n<p><a href=\"https:\/\/historiadeltraje.wordpress.com\/2010\/06\/20\/clase-18-de-junio-romanticismo-indumentaria-femenina\/\">https:\/\/historiadeltraje.wordpress.com\/2010\/06\/20\/clase-18-de-junio-romanticismo-indumentaria-femenina\/<\/a><\/p>\n<p><a href=\"http:\/\/www.diktats.com\/french\/bon-marche-les-modes-du-siecle-agenda-buvard-par-henri-bresler-circa-1900.html#.Vwmj1vnhDIV\">http:\/\/www.diktats.com\/french\/bon-marche-les-modes-du-siecle-agenda-buvard-par-henri-bresler-circa-1900.html#.Vwmj1vnhDIV<\/a><\/p>\n<p><a href=\"https:\/\/www.pinterest.com\/pin\/389913280214705729\/\">https:\/\/www.pinterest.com\/pin\/389913280214705729\/<\/a><\/p>\n<p><a href=\"http:\/\/www.deperu.com\/abc\/economia\/3031\/historia-de-la-economia-peruana\">http:\/\/www.deperu.com\/abc\/economia\/3031\/historia-de-la-economia-peruana<\/a><\/p>\n<p><a href=\"https:\/\/es.wikipedia.org\/wiki\/Le_Bon_March%C3%A9\">https:\/\/es.wikipedia.org\/wiki\/Le_Bon_March%C3%A9<\/a><\/p>\n<p><a href=\"http:\/\/www.vam.ac.uk\/content\/articles\/c\/corsets-and-crinolines-in-victorian-fashion\/\">http:\/\/www.vam.ac.uk\/content\/articles\/c\/corsets-and-crinolines-in-victorian-fashion\/<\/a><\/p>\n<p><a href=\"http:\/\/www.vam.ac.uk\/content\/articles\/h\/history-of-fashion-1840-1900\">http:\/\/www.vam.ac.uk\/content\/articles\/h\/history-of-fashion-1840-1900<\/a><\/p>\n<p><a href=\"http:\/\/gallery.sjsu.edu\/paris\/fashion\/\">http:\/\/gallery.sjsu.edu\/paris\/fashion\/<\/a><\/p>\n<p><a href=\"http:\/\/www.victoriana.com\/Victorian-Fashion\/\">http:\/\/www.victoriana.com\/Victorian-Fashion\/<\/a><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El mundo de la moda femenina pose&iacute;a en Lima durante el siglo XIX, Le Grand Bon March&eacute;, un notable establecimiento unido a los nombres de los socios que decoraban la fachada del edificio, Sivori y Panizzoni. &nbsp; Este tipo de&hellip;<\/p>\n","protected":false},"author":2,"featured_media":2316,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2264","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria","entry","has-media"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.1.1 - 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